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Joined 4 months ago
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Cake day: June 6th, 2025

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  • Yes, clearly you’ll give up all your marketshare in Europe to Android, makes sense.

    Among the requirements of the DMA is that Apple ensures that headphones made by other brands will work with iPhones. It said this has been a block on it releasing its live translation service in the EU as it allows rival companies to access data from conversations, creating a privacy problem.

    Is this an issue because the headphones are connected to some app made by the headphone company or something? I’m trying to figure out why this is an issue when headphones (at least that I’ve seen/used) don’t have internet access.






  • I mean Japan’s political situation is kind of weird. The LDP has basically been in power forever (with super brief interruptions). It lost power recently though so we’ll see what happens I guess. IIUC tho anti-immigrant sentiment is rising (at least partly fueled by the massive waves of shitty tourists IMO), which prob isn’t a great sign based on what’s been happening in other countries.


  • They’re getting taxes no matter what. If you just purchase American goods because you don’t want to give them money from tariffs, then all you’ve done is demonstrate that tariffs work since now American businesses are selling more.

    Ideally, if corporations lose enough business, they’ll actually put pressure on the govt (of course, they might just roll over based on how things have gone so far). In any case, this isn’t even really a sacrifice on my end since a lot of American products are kind of shoddy.




  • I think it’s actually much harder for small artists to succeed now, even with the proliferation of stuff like social media sites and music apps. Most streaming services pay artists practically nothing, and from what I understand, touring is less profitable than it used to be because the artists are getting a smaller cut of the profit than they used to from merchandise.

    Stuff like Bandcamp and Patreon help, but those platforms are pretty small compared to something like Spotify. It’s probably easier to get your name out there because of social media/Youtube, but I don’t think it usually makes up for how little money they make from listeners. This is also ignoring piracy.


  • Regarding Palestine, a number of groups have done stuff on stage or donated money and so on, but there don’t seem to be a ton that have written music specifically about the war. I’m guessing this is partly due to a lot of record labels supporting Israel on top of just so much other horrible shit going on in recent years. You could probably find more stuff if you looked for music by people from the countries directly involved.

    Pretty much the same situation for Ukraine I think. Bands like Jinjer are vocally pro-Ukraine.

    It’s much easier to find one-off songs about a specific issue than like entire albums right now AFAICT (again probably partially because of how much crap is going on). A lot of groups also seem afraid to really hammer on specific points to avoid alienating fans I think, so it’s sort of just the state of music as well IMO.